Friday, January 08, 1999

Burning Man recap

Not many people might compare the Black Rock Desert about 100 miles North of Las Vegas, Nevada to the tiny island of Jost Van Dyke in the British Virgin Islands, but having been in both places I must say, there are quite a few similarities between this arid prehistoric lake bed during the Burning Man Festival and this lush tropical island during New Year's Eve.

In case you weren't aware, I was a very lucky bean to be able to be transported to the B.V.I.'s for the holidays. Lots of 45 sunblock and a big straw hat have enabled me to fool even those who knew I went, as I'm just about as pale as before I left.

Aside from geography, the similarities between these two festivals struck me immensely. Two years ago when I went to the Burning Man festival, over 14,000 people arrived over a few days in an assortment of caravans to experiment in this dry desert for a week in spontaneous community and explore the relationship between traditional and non-traditional culture, reality and cyber-reality. Camps were set up in a semi-circle shape and the Burning Man, a four-story effigy, was at the helm. A few days before Old Year's Night, as coined by Foxy, the owner of one of the two popular bars in "town," approximately 300 boats arrive to anchor in a 300 foot wide semi-circle harbor. The 150 locals of this four-mile long normally slow-paced, chickens-and-goats-in-the-main-"road" island gather to build shacks for a night and serve PainKillers (an unfrozen, unblended Pina Colada), fried chicken, conch fritters and Johnny Cakes to the sailors and crew who arrive days before to indulge and relax from days of sailing, snorkeling and diving. (Chef's Note: These Johnny Cakes are a far cry from Rhode's Island's version of pancakes. They are more similar to the Italian fried dough balls typically bought at street festivals, but not as soft and with no sweet powdered sugar to put on top.)

At least 1000 people convene to knock back a few of Foxy's famous Sly Fox rum drinks, indulge in Rudy's (the other major establishment's owner) famous pig roast and Caribbean lobster dinner, and hang loose with old and new friends. As New Year's Eve Day drew to a close the excitement and energy picked up despite the grueling heat that bore down on you all day. Schools of college-aged kids swam around smaller schools of older couples and families. By the time 11:00 rolled around there were plastic cups and paper plates strew about everywhere. That didn't deter barefooted party-ers, some of whom looked to have overindulged in legal and illegal substances.

After a year of being out and about I might have chosen a quiet evening over a big bash, but there was one aspect of this wild party that was really fantastic. Our watches ticked towards 11:55 when all of a sudden we heard boat horns blaring and saw flares shooting up into the sky. There was no big lit ball atop a skyscraper or clock on the wall that everyone counted from, so we realized it must be midnight. It came up on us so quickly and quietly... We popped open the Dom and cheered to Health, Happiness, Friends, and the New Year. But then...wait! All of a sudden a whole crowd down at Foxy's began tooting horns and cheering. Hey!? Was it New Year's then? Or is it right now? And minutes later down at Rudy's on the other end of the island, another round of hootin' and hollerin' erupted! Oh -- I see, now it's midnight there. I guess what they say about Island time is right...it's certainly not based on Greenwich Mean Time, but it's a Good Mean Time! We walked to Rudy's where a Reggae version of Auld Lang Syne played. Rudy was cheerful and I signed a lamp light with my name. It's not unusual for some of these island bars' wooden ceilings and posts to be covered in signatures of visitors from around the world. Down at the other end, a third band was just getting started at Foxy's. We marveled at the wild gyrations of a young flapper-attired woman who looked like she was transported (in a few ways).

Like Burning Man, this Old Year's Night festival has become legendary and grown in popularity. Like Burning Man, hundreds (thousands) of people converge to relax, cut loose, be mellow, be crazy. Like Burning Man, the instant community shows how where once nothing existed (except prehistoric dried clay and cow patties or 100s of feet of warm blue water and coral reefs), people will form their dwellings into divisions and subdivisions, order is created out of something that appears to be disorderly, invisible and unspoken rules are made with no dominance. Like Burning Man, the event results in a grand festival of lights, sounds, dancing, drinking and assorted revelries. And like Burning Man, the next day, as homesteaders pick up tents (or anchors), there is an efficient crew that swoops down with brooms and sanitation trucks to restore the natural calm beauty to these vastly different, yet similar paradises.

Happy New Year to everyone and to everyone a Good Night!

Scott Cohen Independent Operator

This just in! Scott Cohen, Senior VP, and one of the founders of 24/7 Media has resigned. Scott intends to use his drive, energy and entrepreneurial spirit to help grow another company that's on the IPO track. Cohen is working under a consulting agreement through 1/31, and can be contacted at 212/231-7150 or via email at scottcohen@aol.com

Wednesday, January 06, 1999

January Events

After such a transporting experience, even in spite of my sobriety (well, someone had to help navigate the dinghy through a maze of hundreds of yachts), it was tough to feel up to jumping back into the pace of New York City. I chose my first foray for Wednesday, January 6th, when I ventured up to the Lubin House at 11 East 61st Street for the WWWAC Writer's SIG. Starting the year off to a new start, SIG co-hosts Robin Schatz and Mark Perton decided to have open-mike night for writers to show their stuff. Show and Tell night included demos from Gerald Regan (www.thewildgeese.com), Nick Fracaro (www.whirl-I-gig.com), Adrienne Matt (www.abcnews.com), Mitch Lemus (pages.prodigy.net/mlemus/mafiaweb.htm) and yours truly. Starting off the evening, Gerald Regan spoke eloquently on the site he and his partner had developed and worked on for over 1 1/2 years. Rich in content and stories on Irish history and the American Civil War, TheWildGeese.com is truly becoming a portal (albeit small one currently) for Irish diaspora and reenactment enthusiasts alike.

I followed on his heels and hawked my wares to a warm and encouraging audience comprising some familiar faces like Mirsky (of Mirsky's Worst of the Web), Angel Riggins (of Disney Online) and Patrick Casey (a long-time WWWAC member). Some new faces including Josh Karpf, Michele Marrinan (freelance writer and editor), Mat Zucker (Blue Marble) and Kieron Murphy (EarthWeb Inc.) were friendly too. Nick Fracaro expounded on his theatrical non-linear database-driven website. With no hierarchy and no AUTHORity (i.e.: authorship is "hidden," until you click to find out the "source") the site catalogues articles from a variety of theater publications and posts on their listserv. Fracaro claims the journalist of the future will be a disinterested cataloguer, taking ideas from sources and putting them into relationship with each other. Whether knowingly or not, he recalled a statement Jerry Michalski made during a WWWAC presentation in '96 saying "it's all about the hyperlink." After all, that little < a href > tag is what drives this machine, no? The clean interface displays a list of keywords (about 120 total in the database) that related to the pull-quote on the page. By clicking "Next" you get another related quote, "Source" takes you to the full text the citation came from, and one of the keywords on the side takes you to another citation from a different but related article. He also referenced Plumb Design's Visual Thesaurus, which is also a wonderful example of words and ideas relating to each other in a non-linear fashion. C'est tres interessant!

From the slightly esoteric niche to broad general interest categories, Adrienne Matt stepped up to the plate and pitched (or highlighted) some of the dynamic features of ABCNews.com's website and their coverage of the battle in Iraq. Maps, charts, video clips all accompanied original articles written by teams of interactive journalists and graphic artists in the New York, Seattle and Washington offices. Using software by Starwave called Big Top they input data into a template-driven website. Their coverage of the Iraq and initial impeachment stories apparently drove traffic to the site that "out hit" CNN and MSNBC. The feature Adrienne thought was most interesting and unique for their coverage was the analysis of the battle and how much it is costing us. Yes, how much exactly is this thing costing anyway....

Rounding out the evening in a humorous tone was Mitch Lemus's tour through his website "Reputed Links to Organized Crime. The Online Resource for Wired Wiseguys." In about three weeks he researched and wrote this site with sections on Products, Tools and a Survey. Using frames, the Products section links to sites like Cadillac, Staples (how Organized Crime stays organized), a jewelry reseller (for pinky rings) and other useful things potential criminals might want. A question shot out, "isn't it unethical to link out to other people's sites?" to which Mitch replied, "hey, it's the Mafia site! Unethically linking to other people's sites is right in keeping with the theme." Wanna find out how long before a friend or foe gets out on parole? Check it out at the "Parole Watch Database." Use the Loan Shark Calculator to figure the best vig you can get, and read all the actual documents from a famous Mafia boss trial at "The Smoking Gun," get some good recipes and a tour of Little Italy, check out a map of Secaucus, NJ and get acquainted with a popular funeral home (for when you have to do the job). Growing up in a Mafia Wanna-be school in Brooklyn, Mitch had lots of opportunity to learn about this "sorely underserved community on the Internet" as he explained it. He's obviously filling a need as in 1 1/2 years he's received over 45,000 hits (no pun intended.)